There are two ways to look at Smash‘s final Tuesday-night outing: You could feel depressed that NBC is pushing its musical dramedy to Saturday nights, where it’ll be whacked with the Grim Reaper’s scythe like a piñata at a child’s birthday party. Or you could raise the adult beverage of your choice and rejoice that this week’s episode featured the indomitable Bobby and another one of his bitchy quips.
“This is boring,” our chorus boy sighed as Bombshell star Ivy Lynn made nice with her Broadway legend mama Leigh Conroy (Bernadette Peters) on their first day of rehearsal. “I want my catfight already!”
Oh, Bobby, if — okay, when — Smash doesn’t come back next fall, I’ll miss you most of all. (Now if we could just find out what happened to dreamy Dennis, and maybe spin ‘em off into a comedy called Chorus Kids, along with plucky Jessica, all would be right with the world.)
But I digress! Let’s cut to this week’s main plot points:
IVY LYNN HAS A MOTHER OF A REHEARSAL | The episode opened with Tom trying to get word to Ivy Lynn (Megan Hilty) that he’d hired her exhausting mother (who didn’t even show up to the opening of Liaisons!) to play the role of Marilyn’s mom in Bombshell. Ivy Lynn got the news just as Leigh burst through the door and sucked up every bit of oxygen in the joint, but still managed a feeble “Yay!” (Julia’s response — “It’s only been five minutes. Who knows what’ll happen after the shock wears off.” — was one of the night’s best ingers.) Instead of clashing, though, Ivy Lynn and Leigh tried so hard to be polite that their actual acting suffered. “They’re turning Norma Jean and Gladys into the Gilmore Girls,” sighed Tom. The neophyte director, however, eventually got the gals to go down memory lane — Leigh recounting stories of Ivy Lynn’s childhood obesity and her audition as young Kurt in The Sound of Music, Ivy Lynn sharing how mama instilled in her a deep inferirity complex — and suddenly it wasn’t just the scene that was dripping with tension. “At least the best part of my career is in front of me,” snarled Ivy Lynn, showing some of the bitchery that made her so fun in Season 1. The toxic mood led to a lovely rendition of “Hang the Moon,” Marilyn’s mom’s deathbed song of regret and contrition, and it really was a treat to see Broadway standouts Peters and Hilty doing their thing together (even if the Chinese lanterns were oddly distracting). Offstage, though, things didn’t end so beautifully, with Ivy Lynn telling her mom that once the show opens, “I’ll never need you again,” and then dropping this bomb on duplicitous Tom: “We’re not friends. I work for you now, and that’s it.” Ouch!
KAREN’S DAD GETS A SNEAK PEEK | As Karen and Jimmy nu led and made coffee the morning after getting it on — was anyone else hoping we’d misremembered last week and that it would be Derek waking up in her bed? — Karen’s dad arrived. Jimmy snuck out the window, but as he entered the apartment, Mr. Cartwright caught a glimpse of leather jacket amidst the curtains. (If I’d been in his shoes, I’d have called 911: “Yes, send a patrol card! There’s a sociopath on my daughter’s fire escape!” But I’m paranoid about home invasion like that.) Later, attending Hit List rehearsals, dear old dad noticed Derek’s leather jacket — and mistakenly began to blame the philandering director for using “Little Derek” to lure his daughter away from a huge Broadway role to a far less career-launching production.
At a fundraiser for the Manhattan Theater Workshop, dear old dad saw his daughter belt out “Broadway Here I Come” — and saw her roommate Ana as “The Diva” give a nifty performance of “Reaching Out for You” (complete with the “bells and whistles” Jimmy hates so much — although I was 99% certain something was going to go wrong with the aerials, Ana would wind up paraly ed, and we’d wind up with a janky subplot for which no one asked. Thankfully my pessimism was all for naught.). The next morning, Mr. Cartwright reali ed two things: 1) Karen needs to follow whatever dream makes her happy — even if it seems a little cray-cray on paper. 2) Jimmy has a leather jacket, too, and he’s the one who was all up in Karen’s fire escape (not a euphemism). As Mr. Cartwright apologi ed to Derek, he shared his theory about Jimmy and Karen’s secret relationship — with the one man who’s sure to be furious about it. (Whoops!) And just like that another person loathes Jimmy. (See, I’m not the only one.)
A BAD MAN DOESN’T KILL OFF JIMMY (OR WHATEVER HIS NAME IS) | Remember when Jimmy broke into a dude’s apartment to get the book for Hit List, and got punched in the face? That dude came back this week, tracking Jimmy down to his rehearsal space and shaking him down for the money he owed. Oh, the dude is a drug dealer, and Jimmy owed him $ 8,000 that he stole on his journey to getting a fresh start. (Not much of a fresh start when it begins with theft, is it?) When Derek caught Jimmy looking for loot in people’s coats during the Manhattan Theater Workshop fund raiser, he agreed to loan the young composer the money. “You don’t have a monopoly on youthful indiscretion,” said our wordly Brit. Of course, that was before Derek knew Jimmy had violated his direct order not to get involved with Karen. And, of course, that was before Jimmy took a couple powder-filled baggies from Mr. Dealer as his parting gift for making good on his debt. “Have a good one, Collins. It’s Collins, now, right?” said Mr. Dealer, introducing the idea that Jimmy has a (dun dun dunnn) secret identity.
JULIA STALKS SCOTT — AND HE LOVES IT! | Despite last week’s accepted apology, Julia was still obsessing over MTP exec Eric (Jesse L. Martin), because that’s what she does, and because Jesse L. Martin is hot. He seemed to kinda sorta like her attentions, too. Them after Mr. New York Times Writer seemed more impressed by Ana’s performance than Karen’s — and after Kyle spontaneously lied and told said critic that Ana was “all over” Act 2 of Hit List, Eric did some thinking: Hit List‘s book needs help (and Kyle’s too busy co ying up to Lighting Guy to do any actual work). Hit List needs to turn Ana’s ancillary character into the second lead (also, we’ve established Kyle isn’t a good writer). And so just like that, Julia has signed on as the show’s dramaturg — unbeknownst to old pals Karen and Derek, and the certain-to-be-apoplectic Jimmy. I just hope Julia treats Jimmy with the same disdain she used to treat Ellis. That might make everything all worthwhile, no? Even the fact that I’m still having to type the word “dramaturg.” (Also: Would Eric really commission a total rewrite of a show he allegedly loves based solely on a passing cocktail-party comment from anybody, even an influential critic?)
EILEEN AND TOM DO SOME STUFF, TOO | Oh, Eileen is flirting with NY Times Guy (someone, get her a real plot! and a martini to throw!). Karen seems sad/confused/wan about Jimmy wanting to keep their relationship secret. (“If that’s what you want,” she said, once again subsuming her own feelings for those of her man). And Sam is now a backup chorus boy on Bombshell but kind of hating Tom.
Anyhow, over to you! What did you think of this week’s Smash? On a scale of one to Ellis, how cra y do you think Derek will get now that he knows about Jimmy sleeping with Karen? Did you buy Ana getting the attention of the NY Times dude? Did you kinda wish the drug dealer had put Jimmy in the East River with some cement shoes? Did you tear up like Julia at the end of the Leigh-Ivy Lynn duet? Sound off in the comments!
Smash Recap: Parental Guidance Rejected
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